The Economist’s article: few finished projects, wrong experiments, anti-clerical. For this, he doesn’t match the cliché of the Renaissance artist, such as Michelangelo and Raphael, but that of the contemporary artist
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The Economist’s article: few finished projects, wrong experiments, anti-clerical. For this, he doesn’t match the cliché of the Renaissance artist, such as Michelangelo and Raphael, but that of the contemporary artist
The Sala delle asse reopens to the public after the restoration. And under 13 layers of plaster, here are Leonardo Da Vinci’s drawings never seen before.